Meet Rebecca Stern!

Becca SternMeet Rebecca Stern!

Meet Rebecca Stern! A familiar face at Limelight – an extremely versatile actress in a variety of mediums who is enthusiastic, focused and hard-working with talent galore and best of all — one of the friendliest kids you will ever meet. She has graced our stage in such roles as Annie (Annie), Flounder (The Little Mermaid) and most recently as Jojo (in Limelight’s recent professional production of Seussical) — but wait until you see what other cool things she’s accomplished at such a young age. Enjoy getting to know this terrific young lady — she’s a favorite for sure!

 

Tell us about your experience playing Jojo in the professional production of Seussical?
My experience playing JoJo in the professional production of Seussical was one of the best experiences of my life, onstage and off. I loved playing the role because it can be interpreted many different ways. It was also amazing being able to work with such talented and kind professionals. I loved everyone in the cast and it was definitely a huge bonding experience for the kids. There were a lot of laughs and I looked forward to every rehearsal. When the weekend when I was playing JoJo was over I was sad, but it was a lot of fun seeing my friends do the role how they envisioned it. I miss it tremendously and I loved every minute of it.

That’s great and you did an awesome job — a true pro on your own but what was the single most thing you learned working with those talented professionals?
Thank you! The biggest thing I learned from the professional actors was to try anything to the biggest level you can. When Chad (Director) asked them to try doing something differently, they completely went for it and changed their whole performance of that particular scene or song. It was amazing how they were never nervous about how they looked to the other cast members and just went for it. I strive to do what they made look easy.

What a great lesson so early in your career. Who is your role model today — both onstage and off?
My role model has to be Amanda Jane Cooper. She is a phenomenal actress who went to my high school, Great Valley, and then graduated from Carnegie Mellon with a degree in Musical Theater. She is currently playing Glinda in the National Tour of Wicked for the second time. She has been in many TV shows and it is so cool that she went to my high school. She has many accomplishments on stage, but she is also one of the nicest people offstage as well. When I was doing Annie at Limelight, she gave me a lesson to help me prepare for the show. She was so helpful and kind and even sent a follow-up email wishing me good luck and vocal exercises. She is definitely my role model.

You are so lucky to have a trusting mentor. Let’s change gears – What Broadway musical is the most heavily played in your song list lately?
I have to say Into the Woods or Beauty and the Beast. I love the music in Beauty and the Beast and I am so excited to participate in Into the Woods for Limelight’s middle school spring show. I have definitely been singing those shows around the house constantly.

Tell our young readers why you think participating in the performing arts is beneficial to their overall character.
When I was younger, I was shy and not very confident. My mom had me audition for my first student film on a whim because she saw it late at night and thought it looked cool. I became obsessed with performing and the more projects I did, the more confident I became. The more auditions I went on, the less scared I became at the next one. I believe that participating in the performing arts gives kids a stronger voice and more confidence. If you can sing in front of an audience of 100 people, then you feel much more comfortable asking a question in class. Some of my best friends are involved in musical theater, and they have shaped me. Some of the best people you will ever meet are musical theater people. If I had not done that student film and started my journey of performing, I can guarantee, I would not be the person I am today.

Wow – that’s fantastic… and it’s not just theatre for you — you have branched out into voiceover and industrial film work — how has that experience been and what else is on your bucket list?
It has been really fun doing voiceover and commercials. I love doing voiceovers because I am on the taller side for my age but I have a younger voice so I can play someone much younger. I was able to do many commercial voiceovers for Playmobil, which has been amazing and crazy for me to hear my voice on television and during the holiday season to see my Playmobil® video displayed at Toys R Us! I also sang the remake of “Number 9 Martian Beauty” renamed “A Real Martian Beauty” for Sesame Street. It aired on an episode called Abby’s Too Cool for School and when the episode aired, the song was on TV. It is on Sesame Street’s You Tube channel as well. I was shocked to hear my voice on Sesame Street. It was an amazing experience and I learned that it takes a huge team of people and a lot of work to make one music video. They had to make a puppet for the song and I had to go into New York City twice to record. It was over a year until the episode premiered. On my bucket list are more professional theater productions and more non-voiceover commercials and TV shows.

So awesome and such an iconic show as Sesame Street – what a great experience. You are a very versatile performer — is there one area you feel deserves more attention for further education and development?
Thanks! I feel I would like to put more attention and development on dancing. I currently take only Tap, but I feel that I should educate myself in more musical theater dance and other styles. I have taken Ballet, Tap, and Modern dance classes for years, but I now am just focusing on Tap because it fit into my schedule the best. I also would love to take Improv and other Acting classes.

You know what they say — try to be as well-rounded as you can — all of those classes are building your overall talent. They also say the best experience is to audition a lot — how often are you out there “pounding the pavements” looking for that next part?
I completely agree. The more auditions you go on, the better you get at them. I would say around 10 auditions a year. They are a mix of commercial, film, and theater auditions. Lately I have been doing mostly theater auditions.

Quickly – what is your dream role?
I can’t decide between Belle in Beauty and the Beast and Gertrude in Seussical! I love Belle and she is my favorite Disney® Princess. I like how she is such an avid reader and challenges the life that others have imagined for her. I also love Gertrude because she seems like she would be a really fun role to put your own spin on. She has a lot of funny lines and allows the actress who is playing her get goofy and awkward and have a great time.

I can totally see you being great in both roles. Is performing something you see yourself doing as a hobby as you get older or something you want to really pursue as your career?
That’s a hard question! I love performing, but I am also really into engineering and robotics. At this point in my life, I think I will stick to performing as a hobby, or maybe double major in engineering and performing arts. I would love to be a vocal teacher and help other kids get to their maximum potential. My vocal teacher, Susan Brizick, is amazing and I would like to teach voice to kids just like her.

Sounds perfect! What is on the near horizon for you?
Coming up soon for me is the auditions for Into the Woods, Jr. with Limelight! I am so excited to be in this amazing show! I have a lot of friends participating, so I think it will be a lot of fun!

Thanks Becca for taking the time to talk with us — something tells me we will only see bigger and brighter things for you in the years ahead. Keep smiling and laughing too because the fun is in the journey!

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Sherer Family

It’s Thank You Thursday — Tinkerbell Style!

It is time to thank some very special people again, folks who have been big supporters of Limelight – our great friends the McCusker-Sherer family.

Our relationship goes way back – Ann attended Prendie H.S. with Lisa and they shared several years together at Upper Darby Summer Stage, too. Over the years the arts kept them in touch – with Lisa working a season at our West Chester Summer Stage and her son Matt participating in several productions that Ann directed and produced. In fact – Matt was a huge help last year when we went through the exhausting task of moving 15 years worth of costumes, scenery, set pieces, props and other theatre stuff to our new location. On days like that — you need all the help you can get and when a big, 6’4″, strong young man with endless energy arrives to help — you are grateful to have him there and we certainly appreciated his eagerness and enthusiasm (did we mention he is also a model and actor?).

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Lisa has always been a huge advocate for the arts in many ways. She’s a great supporter of people in general — always there to cheer you on and give you that friendly push to do your best. When we opened the doors at Limelight – Lisa and her husband Stephen (who also shares the same gift of helping others) were at our sides with lots of encouragement and support. They jumped at the chance to fund one of our studio classrooms, Lisa chose the Peter Pan theme and our talented scenic designer, Peggy Fotusky came through with the design — they made a great team. We absolutely LOVE the embellished classroom. Please swing by the studio and —check it out yourself.

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Much thanks to Lisa, Stephen, Matt and Liv for your continued love, support, encouragement and being a champion of the arts. You all have such a wonderful “service to others” mentality which makes us proud to be in your company!

 

 

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Mullin Family

It’s THANK YOU THURSDAY! ‪

Seussical Studio Dedicated to Nick Mullin

We would like to thank some very special people for supporting Limelight. When we began our GoFundMe campaign last year our dear friends made some very thoughtful contributions. We are eternally grateful and to show our appreciation we dedicated space in our Performing Arts Center and our set designer, Peggy Fotusky, really outdid herself with her design and beautiful artwork.

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Tom and Dee Mullin’s son Nick was involved in our West Chester Summer Stage Program during his battle with cancer. Despite his struggles, he lit up our stage with his huge talent and a smile that inspired everyone he encountered. One of our studios is now dedicated to Nick – a beautiful tribute to him and the show Seussical he starred in (in fact – we are proud to display his unicycle and red converse sneakers that he used in our production). It is our privilege to honor Nick and his courageous parents who are succeeding at keeping his memory strong and making a difference through their Nick Smiles on the Arts Foundation.

Honestly – the pictures don’t do the studio justice – we encourage you to visit our performing arts center and see this studio for yourself – it’s a great place for learning. Thanks Mullins for allowing us to share Nick’s story with our students and for your continuous loyalty and support of Limelight!

 

 

 

For more information on the Nick Smiles on the Arts Foundation and the wonderful causes it supports – please visit:  www.nicksmiles.org

For more information on Limelight Performing Arts Center –please visit: www.limepac.com

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Meet Chad Parsons!

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 Meet Chad Parsons!

A talented Philadelphia actor, director and acting teacher – Chad keeps himself busy with his own personal artistic endeavors as well as enriching the talents of our students in various acting and musical theater classes at Limelight. In addition – he has directed many shows at both Limelight and our own West Chester Summer Stage. His high energy, big smile and enthusiasm for working with his cast and students sets him apart – he truly wants each actor to reach their absolute best performance in every single production. We found it only fitting to let Chad “Step Into The Limelight” – we hope you learn a thing or two from this veteran performer. Enjoy!
Welcome Chad! You might be one of the busiest Actors/Directors in the Philly area – what are you working on now?
I am currently Directing Seussical The Musical here at Limelight and I couldn’t be more excited. Last year was an incredible first season with Broadway Bound, Annie Jr., Grease and Little Mermaid – but this year it’s all about Seussical for the Fall Series and most exciting is the introduction of our first Professional production with many of the area’s most talented, professional actors. What’s even more exciting is we cast several young artists to join the cast – it’s an incredible experience for them to be onstage and in the presence of working professionals. It will be like an acting intensive for them every rehearsal. I’m interested to see how they will grow as a result of this experience – they are already hugely talented kids but trust me – they will grow!

That is so exciting. At what point in your life did you decide “this is my profession” and fully commit to being a working professional?
After a year at Mansfield University studying Elementary Education (following in my parents footsteps) I had a moment when I found out that Mansfield was making big cuts to the theatre program and one of the cuts included the yearly musical. The thought of not being able to perform killed me . . . So I left. It was at this moment I really decided to push forward and pursue a passion that I had no idea where it was going to take me. I knew I was going to have tough times, I heard it about a MILLION times from my parents. But I made a decision to immerse myself into theatre. I still struggle with performing vs. behind the scenes as to which one I “like” more, and the truth is, I love it all. I love how we as artists interpret characters and story. How we show our audience what we want them to see. That fascinates me.

Along those lines…If you’re not acting, you’re directing and vice versa – what is the most rewarding to you personally?
That is a tough question because I LOVE sharing a character with an audience. But I found Directing to be more rewarding for me. Because it’s like my head explodes on the stage. And it’s a really cool feeling to see it come to life. You sit back and smile because you have an awesome cast with an amazing production team that all collaborated together to make this fully realized show. And sometimes you have no words for that but “Thank You”.

For the young actors who perform in our productions, or who decide to enroll in a class to further their education: what is the one thing you want them to get out of the experience that will benefit them in the future? What do you really want to see more of from them as well?
I want my students to walk away knowing that hard work pays off. Focus pays off. You learn so much about yourself and others as a theatre professional. I want them to learn about who they are. Regardless if you continue to pursue theatre as a profession or not, you will always remember the times you had when you were “in a show.”

As a seasoned performer who auditions a lot – AND – a working director who auditions actors a lot: What advice can you give new actors on the audition process? How should they prepare, approach and execute the audition?
To quote Billy Porter “When you get to a certain level. Everybody can sing, everybody can dance, everybody can act and EVERYBODY is cute . . . You have to find out what makes you stand out, what makes you special.” You will never be the person next to you or 10 people in front of you who you just heard belt her face off and you know you don’t sound like that. Don’t let that intimidate you! From experience being on the other side of the table, the director is looking for his/her vision of the character. You must always bring YOU. How do you prepare to audition?. . . AUDITION! You learn so much every time you go on an audition, no matter what the outcome is. Of course you should always be prepared and research the show you’re going in for. And make sure you prepare anything that is specifically asked of you.

Be honest – when you are directing someone and you offer a specific way to read a line – do you want them to just say it the way you said it while having them believe they thought of it?
Partially . . . but I want more the essence of what/how I say the line. I usually give line readings to the younger students who are not yet willing to come out and say things using their intentions.

Let’s change gears and focus on you as the actor:
What was your favorite role and where did you perform it?
My favorite role was Mendel in Fiddler on the Roof at Fulton Opera House.

What a great venue and show – Fiddler always seems to be at the top of list for many an actor. Share with us a little – If we were to see you backstage minutes before your entrance – what would we find you doing?
If it’s my first entrance in the show I am super focused and in a zone, and running through things in my head. Sometimes I start to walk around backstage physically getting into character. But once we start rolling I’m a little more relaxed backstage but overall I’m quiet and stay focused on the show that’s going on so I don’t miss a cue (which I have done before so I have learned my lesson). It happened to be while I was talking about a person who had just missed their cue . . . so Karma!

Have you ever been cast in a role where despite all your preparation – you never fully felt like you were doing your best work?
YES! I was cast as MacDuff in “MacBeth” It was COMPLETELY outside my comfort zone. But it was one of the most rewarding experiences in the end. I never felt like I connected fully to it in moments, and wish I had more time and training to fully develop what I only felt like I was skimming the surface of.

You landed the role – what comes next – character development and preparation or memorizing those lines?
UGH! I am SO BAD at memorization!! I research first. I visualize and physicalize my character and get in it’s brain while reading through and taking notes in the script. I let it develop more when I begin to be active with my scene partners. Memorization for me comes through repetition and connecting thoughts and actions in the blocking.

What was the most embarrassing thing that ever happened to you onstage?
I made up a whole verse of “Surrey With A Fringe On Top”:
“All around is all around, the cows will moo in the clover, and just when you’re thinking everything is still, oh guess what it’s not over” . . . then I forget what I said next, I was a sweaty mess and blanked out . . . but I’m sure it was brilliant, but I finished with “The frogs will hop, and the stars will . . . pop!”

That’s hilarious – terrifying I’m sure but now you probably have gotten more laughs about it. Tell us about a role you really wanted but didn’t get – what did you learn from the process?
I really wanted to be cast in the National Tour of “Wizard of Oz”. I had just played the tin man at a regional theatre and went to the tour call. I made it down to the final 3 Tin Men and they ended up casting someone who was already on tour with them. That was a moment I learned it’s sometimes “who you know”. I also learned that either of the other two guys could have played the role as well. We all had our own qualities in the character and that was a cool thing to see how slightly different each of us were. You can learn a lot from observing other actors.

What genre of performing arts just doesn’t do anything for you?
Bizarre Street Performance Art . . . I try!!! I respect them.

I’m with you on that one…Which do you prefer most: Sinking your teeth into a gritty dramatic role or an outrageously funny role? Why?
I LOVE funny roles!! Duh!! But lately I have wanted to sink my teeth into more dramatic roles just to challenge myself and see how far I can go with a role.

Tell us about your dream role – the one you haven’t performed yet.
Seymour from “Little Shop” hands down! I love that show and that character! Plus anytime three girls riff it up and sing tight harmonies, I’m in!

You heard it here folks – cast this man as Seymour fast before someone else grabs him! Chad – thanks for taking the time – we can’t wait to see what you have planned for Seussical the Musical!


Seussical opens November 6th – visit www.limepac.com for more information on dates, times and how to purchase tickets or email tickets@limepac.com.

 

 

 

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Please Welcome Andrew Blank!

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Andrew has a long history with us — from his many performances at West Chester Summer Stage to local school productions and here at Limelight, too. We have watched him grow and mature over the years into a fine, talented young man and actor onstage. He’s the kind of young man who pushes himself, takes risks and keeps education as a priority in life. Given his love and commitment for theater — we thought other young performers may relate and learn from his approach. Enjoy!

 

Andrew – Welcome to Limelight’s “Step Into Your Spotlight” interview series. It’s hard to keep up with you — tell us what you are up to these days.
Right now, I am just getting ready for school to start again. I am president of the Choir so I have been doing things to prepare for that. It’s a big job but it’s going to be a lot of fun! I am also Vice President of the Ambassadors Club at Bishop Shanahan High School and they are very active at the beginning of the new year to welcome new students! Auditions for our musical, White Christmas, is coming up so we are all preparing for those auditions. Also, there are papal choir practices so I have been very busy!

Wow – you are busy for sure! You have a long history with West Chester Summer Stage – how old were you and what was your first production?
My first show was actually when I was five or six years old. I did Little Rascals for one year but then took a break and didn’t do it again until the summer after 5th grade.

What do you remember most about it?
I do not remember anything from my Little Rascals days but from my 5th grade year, I remember having a few little solos and loving performing. It really began my passion for theater!

And then last year you scored two lead roles in Limelight’s production of Grease – what did you do to prepare for that audition?
Well, this actually wasn’t my first time in Grease. I played Eugene in Grease at Notre Dame my freshman year so I already knew the show and all of the songs. Being in this show before definitely helped with my preparation because I knew exactly how each character could be played. I was able to just think about how I would say each line or walk into a scene as that person. I just had to add my own personal touches to it.

I remember your performance as Eugene too — three roles from the same show — that’s pretty awesome. For a young man — you keep pretty busy with performing — tell us how many shows you have done to date?
I have been in 19 shows total (Starting my 20th very soon)!

Amazing – that’s a lot of stage time. What was your favorite role and why?
My favorite role that I have played was Kenickie in Grease! Kenickie was so far from who I am, so I had to step out of my comfort zone to do this. There were some many things that he would say and do that I would never have, but it gave me the opportunity to portray that person. The character himself is so fun because he really doesn’t care what people think and just did whatever he felt like.

Clearly you are a good student of the arts – Share with your fellow performers what you do to continue learning and broadening your craft?
I take voice lessons with Kim Russell Voice Studio once a week which is truly important. Taking voice lessons really strengthens your ability as a singer and a performer, and I suggest everyone take them! I have also taken classes at Limelight to help with acting and performing. My biggest thing is just to be in as many shows as I can. I am usually in three shows per year but if I have the opportunity, I try to be in more! Working with different actors, directors, choreographers, and musical directors has taught me so much because they all have their own ideas and techniques.

Very good point — the exposure to those Directors and Choreographers during the rehearsal process is like taking performance classes in itself. So given that — what comes hardest for you: script memorization, singing, choreography, acting? Share with us what you do to work harder on those skills that don’t come as easy.
Acting has always been the hardest for me. To work harder, I go over my lines all the time in my head. Being memorized early on really helps because then I’m not as focused on what the words are, but more what I am really saying and how it should be said, as well as, how it would be said as that character.

That’s a good tip — get off the script as early as you can so that more time can be spent on further character development. Was there ever a time when you didn’t land the role you wanted despite putting in the proper preparation? How did you bounce back?
There has been a few times that I have not gotten parts that I really wanted. I always asked my directors afterwards what they thought that I needed to improve on. I took their feedback and really worked on what they had to say so that I was ready for my next audition.

Always learning — love that. What was the funniest thing that has ever happened to you during a live performance?
In Grease, a friend of mine who was playing Danny completely messed up a famous line in the song “We Go Together”. Everyone on stage just kind of looked at one another in disbelief that he really did mess up. It was so hard to not laugh on stage but we were in the middle of the song so we all tried to just keep it together. It was all we talked about during intermission though!

Can you directly link how your dedication to stage performance has helped you succeed in other areas of your life?
Stage performance has helped me build my confidence. At the beginning of High School, I was an extremely shy kid and I didn’t talk to many other students. Performing on stage and having to be up there in front of so many people helped me come out of my shell and become more confident and sociable.

What’s the one piece of advice about performing that someone gave you that you’d like to share with your fellow actors?
One thing that I always struggled with was being confident in my self and my acting choices. I wouldn’t go full out or do things that I thought could work because I was afraid it may look dumb. I realized that taking those chances, and really going for it can make your performance amazing!

Let’s change gears a second to something very special to us. You were a recipient of the prestigious West Chester Summer Stage Nick Mullin Scholarship Award that recognizes young performers who possess the same bright outlook on life and enthusiasm for the arts that Nick had — tell us about that experience?
Receiving the Nick Mullin Scholarship Award was an honor. Being a part of West Chester Summer Stage and the Fine Arts Department at Bishop Shanahan, I had heard so much about Nick and who he was. Everyone who knew Nick has so many wonderful stories of his character and passion for the arts and his name brings a smile to their face. Winning this award and being recognized for possessing similar qualities to Nick was such an amazing and humbling experience!

That’s awesome — and choosing you came easy — you have those same gifts and talents.
Tell us about this exciting little (ok maybe this once-in-a-lifetime chance) to sing for the Pope? You must be pretty excited about that, huh?
Singing for the Pope is going to be amazing! I’m so excited! There are about eight rehearsals total before the big day, and two of them are at the Kimmel Center with the Philadelphia Orchestra. That will be so fantastic! The whole day and weekend is going to be so wonderful and I’m so glad and blessed to be a part of such a momentous and historical occasion!

It really is an incredible opportunity. I think all the years you devoted to your craft has prepared you for this opportunity — so you are very deserving. High School will be wrapping up soon — do you think you will continue to perform in college and after?
I would love to continue performing. Performing is my passion and I would never want to give that up. I plan to minor in musical theater to allow myself to continue doing what I love and working on my skills!

Terrific – keep doing what you do best. We look forward to seeing your last few performances before college life. Thanks for talking with us Andrew – as they say, “Break a leg”.

 

 

Pat Shane

Limelight Interviews Pat Shane– We’ve Enjoyed Watching Him Grow!

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Pat Shane is no stranger to Limelight Performing Arts Center. He currently teaches a Youth Theater class at our studio but his roots with us go way back many years at our three-week summer camp, West Chester Summer Stage (WCSS). First he was a performer and more recently as an instructor and camp counselor with WCSS. Pat is keeping himself very busy in the performing community — his words of wisdom and experiences make his advice relevant to many of the young performers in our studio. It’s been such fun watching him grow over the years and the sky is the limit for his future.

What’s new? What are you up to these days?

It’s been a very fun year for me!  At the beginning of 2014, I started an Acting Apprenticeship with the Walnut Street Theatre.  This consisted mostly of a touring production of an educational show that reached almost 80 schools throughout the Philadelphia/New Jersey area.  I was also given the opportunity to understudy in one of their Mainstage productions, Other Desert Cities. Currently, I am a teaching artist with the Walnut Street Theatre, as well as a performer in the Media Theatre’s production of Les Miserables.

How has your theater training helped prepare you for where you are today?

I received my theatre degree from Bucknell University, a liberal arts college not well known for the dramatic arts.  This led to small class sizes and productions.  However, it allowed the faculty to give as much individual attention as needed to each actor.  I looked into the larger conservatories, but there you are practically a small fish in a big pond.  At Bucknell, I was able to nurture my talent in an environment that had the time and resources to challenge me.

What was your favorite role? Where did you perform it?

There is one role that will always have a special place in my heart.  The Fall after I had graduated college, I got the part of Gary Soos: a naive Teach for America student determined to change the educational world (and a lover of puns).  The show was called Awesome Alliteration: The Magical Musical and it was presented as part of the Philly Fringe Arts Festival.  The role was comedic, romantic, passionated, and absolutely cartoonish.  It was a blast to play, and I hope to play it again one day.

How did you prepare for the audition? Can you share some of your tricks?

There are 3 things I do before every audition:
1) If it’s available, read the play.  If you are auditioning for a musical, listen to the music.  Go on YouTube and watch the dancing.  Just like a football player studies film before a game, an actor must prepare.  In some auditions, the director likes to ask you about the character you are auditioning for.  Make sure you have something intelligent to contribute.
2) Find material appropriate to the production.  Don’t use a Shakespeare monologue for a modern play.  Don’t sing a Taylor Swift song for My Fair Lady.  It seem’s like common sense, but casting directors tell stories all the time of inappropriate audition material.  No matter how good you may sound, they will shut you out.
3)  Don’t over-prepare.  Memorize your monologue, perform it a few times in front of a mirror.  Learn your song, and sing through it a few times.  THEN STOP!  Casting directors aren’t looking for a perfectly polished audition piece.  They want to see some naturalism and organic moments throughout the audition.  Also, many directors will give you notes and have you sing or act again.  Make sure you are flexible enough in your approach that you are able to change it to what the directors say.

Are you still performing today?

Yes, I am, and I’m very lucky to be doing so!

True or False: Regardless of how well you prepared for a role — you still get nervous before walking out on stage.

100% true!  The nerves spawn from an excitement to do well, an excitement for the audience to enjoy it, and an excitement to share the experience with my fellow actors.

How do you prepare for a role? What is your approach to getting inside of a character?

While many actors like to work on their own, I think that character development is a team effort.  Sure, I’ll have many ideas on what the character should be, but I believe the input of the director, choreographer, and the playwright play an important role.  As for getting into character, I try my best to take on their point of view.  Why do they act the way they do?  If there aren’t clues in the text, does my backstory make sense?  Do I need to make up a backstory to give him more depth?  I very rarely have a grasp on my character until the middle of the rehearsal process.

What was the funniest thing that ever happened to you onstage?

Oh boy, this is also my most embarrassing.  I believe in the Macbeth curse…

I was performing in Macbeth during the summer in between my Sophomore and Junior year at college.  One the roles that I played was Banquo’s Murderer.  During Banquo’s death scene, as I approached him with my ax, I felt the elastic in the waistband of my pants give out.  So there I was, ax in one hand, and holding my pants up with the other.  I had to finish the murder like this and pray to God that no one in the audience caught glimpse of the Simpsons boxers I had on underneath…

Tell us about a role you really wanted but didn’t get — what did you learn from the process?

A specific role doesn’t come to mind, but I’m always disappointed when I don’t get the role I auditioned for, even when I’m not right for it! The biggest thing I’ve learned is that just because you didn’t book the part doesn’t mean you aren’t talented. There are so many factors that contribute to the casting process, and as long as you are willing to keep trying, you will find success.

How do you handle rejection?

It takes time, reassurance, and hanging out with friends and family.

Tell us about any special training you have.

I spent one summer training with the San Francisco Mime Troupe located in the Mission district of San Francisco.  The training consisted of commedia dell’Arte and physical theatre. In layman’s terms, it was clowning! The troupe specializes in satirical political theatre with emphasis on parody and clowning. I learned that even the most mundane activity can have comedic effects when done at extreme levels. It was a fun and challenging summer!

What excites you most about being in front of a live audience?

Interestingly enough, for me, I love the control. When I’m speaking or singing on stage, I sometimes become fully aware that I have the power to control the emotions of the audience. Their enjoyment rests solely on my performance, and that’s such a rush for me!

Which do you prefer most: plays or musicals? Why?

I prefer to act in plays, but would rather watch a musical! I’m not the best dancer, so musicals always impress me more than straight plays.

Which do you prefer most: Sinking your teeth into a gritty dramatic role or an outrageously funny role? Why?

Comedy will always trump drama for me. I would rather make someone laugh then cry (I think that’s a good life motto too!)

Who is your favorite playwright?

David Mamet — love all of his works!

Who is your favorite lyricist and composer?

Stephen Schwartz! Godspell, Pippin, Wicked…you can’t go wrong.

Tell us about your dream role.

Like any male in their 20s these days, I would love to be in The Book of Mormon! The musical is funny, endearing, and jaw-dropping at moments. I think performing in that show every night and seeing audience reactions would fuel any artistic spirit.

Have you ever considered directing  does that interest you?

No! I tried directing in college, and all I wanted was to be up on the stage!

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